The sharp apex atop the helmet slices through the silence, as if it could pierce the very void itself. The weapon in his hand is no ordinary tool—the crescent-shaped shovel curves gracefully like a cold moon hanging in the sky on one end, while its broad blade seems to flatten the earth with a single, sweeping stroke; within this stark black-and-white contrast lies a concentrated, almost overwhelming force. This is the reborn Zen General Sha Wujing, guardian of the River Liusha from “Journey to the West,” transplanted into a cybernetic realm—a contemporary totem where loyalty and valor have been deconstructed into metal and angular forms.